Tomoko Kawamoto
@tomokommiPublic Information Director @MovingImageNYC. I like looking at the sky, movies, series, knit stuff. Tweets my own. [email protected]
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Just as Naoko Yamada's new animated feature The Colors Within is opening wide in Japan, we're pleased to present her beloved 2016 coming-of-age tale A SILENT VOICE on our big screen, Aug 31 & Sep 1! bit.ly/3AoKp8e #WorldofAnimation
Watch the trailer for the groundbreaking two-part retrospective “Hiroshi Shimizu”—the 27-film series opens IN ONE WEEK on Saturday, 5/4 with Part I: The Shochiku Years at @movingimagenyc, then continues at @js_film_nyc on 5/16 with Part II: The Postwar and Independent Years.
Tickets are on sale for HIROSHI SHIMIZU, Part I: The Shochiku Years, May 4–19. Among the rare titles are CHILDREN IN THE WIND (1937) and FOUR SEASONS OF CHILDREN (1939), presented alongside his best-known work in the U.S., feat. imported 35mm prints! bit.ly/shimizu-at-momi
A snapshot of the most exciting voices working in American and international cinema today, @movingimagenyc's #FirstLookFest kicks off today! 🎥 Watch our exclusive premiere of the festival trailer + read our picks for 7 must-see films: thefilmstage.com/7-films-to-see…
Terence Davies's THE DEEP BLUE SEA, screening tomorrow, Sunday at 6 p.m., on 35mm will be introduced by Michael Koresky (@reverse_shot). Join us in paying tribute to one of the greatest of all filmmakers. bit.ly/3LP3LpC
Some exciting news: Todd Haynes Retrospective and Exhibit Set for New York’s Museum of the Moving Image indiewire.com/news/general-n… via @IndieWire
Are you ready, NYC? Starting this weekend, we'll be showing NOPE in #70mm! Come see @JordanPeele's wildly expansive, primally frightening movie in our Redstone Theater. Aug 12, 19 & 25 #SeeItBig ☁️🐎🤠 bit.ly/3OI7De1
I saw Nope in 70mm last fall, and was blown away by it, even better than seeing in IMAX. The print wasn't widely shown, odd single nights to attract award voters, and I'm excited to see that @MovingImageNYC has gotten hold of it for August. movingimage.us/series/see-it-…
Up next in our WORLD OF ANIMATION series, we're giving audiences the special chance to see Domee Shi's delightful coming-of-age comedy, TURNING RED—on the big screen! MAY 6-12. movingimage.us/event/turning_…
Limited tickets are still available for MAMI WATA, our First Look Closing Night selection, accompanied by a reception sponsored by @mubi — join us Sunday, Mar 19, 7:30 PM! Thrilled to have director @FieryCJ here for the film's NY premiere❣️ 🎟️ movingimage.us/event/mami-wat…
If you’re in New York…@MamiWatamovie will be Closing the First Look 2023 at the @MovingImageNYC on Sunday Night! See you there!
“Memories are like the weather”—Tilda Swinton in a stunning white suit with Joanna Hogg following THE ETERNAL DAUGHTER at #NYFF60
Happy to report that the #70mm print of SLEEPING BEAUTY that screened yesterday at @MovingImageNYC was gorgeous! The show was perfect in every way: great intro by @JohnCanemaker and a wonderful audience. It screens again today and next weekend movingimage.us/event/sleeping…
🚨This was a gorgeous 35mm print (note to those considering Sunday’s show)!
One of the all-time great New York movies screens in 35mm. SWEET SMELL OF SUCCESS plays part of our ongoing series celebrating the diverse and innovative work of cinematographer James Wong Howe. See it on the big screen this FRI (6/17) and SUN (6/19). 🎟️: movingimage.us/event/sweet-sm…
Terrific piece by @bealoayza about the legendary cinematographer James Wong Howe, the subject of a film retrospective at @MovingImageNYC
Take a look at the work of the cinematographer James Wong Howe, who made his sublime images at a time of strong anti-Asian sentiment in Hollywood. nyti.ms/3t18oUr
Today @THECITYNY launches “Have I Been Redistricted?,” a tool designed to help voters see how their political representation has changed. Just type in your address and see where you fit in! thecity.nyc/2022/5/21/2313…
Learn more about James Wong Howe from this @USNatArchives article which features historical documents including his 1924 application to travel to Canada to shoot “The Alaskan,” a filing required of him by the Chinese Exclusion Act of 1884. #AAPIHM text-message.blogs.archives.gov/2020/05/19/jam…
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