Gal Beckerman
@galbeckermanStaff writer at @TheAtlantic, formerly @nytimesbooks, and author, most recently, of "The Quiet Before: On the Unexpected Origins of Radical Ideas."
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My book, in a sentence: A bullhorn is a wonderful tool for a movement to use, but it can't build a movement. nytimes.com/2022/02/10/opi…
Some personal news. Sad to say goodbye to @NYMag but thrilled to be joining @TheAtlantic nymag.com/intelligencer/…
If you need a little hope in your life, read this sensible, clear-eyed essay from @SSinijlawi theatlantic.com/magazine/archi…
“Popular art about the Holocaust has long been a series of lesson plans,” @galbeckerman writes. But “A Real Pain” manages to tell a story about the Holocaust “that doesn’t ask all those dead millions to become its supporting cast.” theatlantic.com/culture/archiv…
I decided to write a very different kind of piece about the election. We’re never going to find our way back to one another through ideological arguments. It’s our vulnerabilities that bind us. theatlantic.com/politics/archi…
“What America did on Tuesday was elect that dad—vengeful, disappointed, erratic, and in the minds of his followers, benevolent.” @galbeckerman looks at the apparent appeal of Trump’s paternalism: theatlantic.com/culture/archiv…
In electing Donald Trump, Americans opted for a candidate who marketed himself as an authoritarian father figure. @galbeckerman unpacks the nation's daddy issues: theatlantic.com/culture/archiv…
Wonderful and very important essay by @SSinijlawi How to Salvage a Two-State Solution - for @TheAtlantic (I want to almost say, of course). theatlantic.com/magazine/archi…
“Popular art about the Holocaust has long been a series of lesson plans,” @galbeckerman writes—but “A Real Pain” manages to tell a story about the Holocaust “that doesn’t ask all those dead millions to become its supporting cast.” theatln.tc/Sfl33siZ
“Popular art about the Holocaust has long been a series of lesson plans,” @galbeckerman writes. But “A Real Pain” manages to tell a story about the Holocaust “that doesn’t ask all those dead millions to become its supporting cast.” theatlantic.com/culture/archiv…
“Popular art about the Holocaust has long been a series of lesson plans,” @galbeckerman writes. But “A Real Pain” manages to tell a story about the Holocaust “that doesn’t ask all those dead millions to become its supporting cast.” theatlantic.com/culture/archiv…
Good common sense from @galbeckerman — it really is just common sense for anybody who tries to have just a semblance of strategy
“Popular art about the Holocaust has long been a series of lesson plans,” @galbeckerman writes. But “A Real Pain” manages to tell a story about the Holocaust “that doesn’t ask all those dead millions to become its supporting cast.” theatlantic.com/culture/archiv…
I really enjoyed "A Real Pain." It's refreshing to watch a Holocaust movie that doesn't feel like it needs to teach you anything. theatlantic.com/culture/archiv…
I take seriously the frustration of people who want to use their vote (or lack of vote) to protest Harris over Gaza, or do so out of a desire for revenge and comeuppance. But they are only punishing themselves... theatlantic.com/politics/archi…
“I’m also afraid these dissenters—progressives …are approaching the election with a self-defeating plan, one they surely think of as a continuation of this protest. It is not.… they might end up undermining their ability to ever protest again.” theatlantic.com/politics/archi…
Protesters angry over Kamala Harris’s support for Israel should not forget what they stand to lose with a protest vote, writes @galbeckerman: theatlantic.com/politics/archi…
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