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Critics Groups for Equality in Media

@CgemCritics

Follow @theAAFCA @LEJALatino @aaja @theOAFFC & @DorianAwards to support better pay & access for underrepped entertainment journalists. VOTE on or before Nov. 5!

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Critics Groups for Equality in Media Reposted

Got time for a zippy history and inside scoop on GALECA: The Society of LGBTQ Entertainment Critics & our Dorian Awards? Our Exec Director fields key questions from the fun founder of the FYCit industry screenings app! @fycitapp sites.libsyn.com/548872/represe…


Critics Groups for Equality in Media Reposted

2014 in Film: Look What Female Filmmakers Made The Year Filmotomy Was Launched We're still celebrating our 10th year in the business. Hope you can join us. Take a look at these and let us know your thoughts: filmotomy.com/2014-in-film-f…

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Critics Groups for Equality in Media Reposted

DUNE: PROPHECY starts off solid, but the series quickly unfolds into a mess that misunderstands what makes herbert’s novels and villeneuve’s films so special. my review for @ebertvoices: rogerebert.com/streaming/dune…


Critics Groups for Equality in Media Reposted

are we human or are we…robots? if you want a show to make you cry about robots in love, I have the musical for you. my review of MAYBE HAPPY ENDING for @Variety variety.com/2024/legit/rev…


Critics Groups for Equality in Media Reposted

THE ROOM NEXT DOOR is Pedro Almodóvar thinking about what we ask of others in life and in death, about imperfect mothers (like always), and about how truly indispensable certain works of art can be to find meaning. Like many of his endings, this one lands with a delicate force.

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Critics Groups for Equality in Media Reposted

The film would’ve been better served if Selena said her lines in English. It seemed, in some parts, that she was rushing to get through her lines. I love Selena so much but I was so disappointed by this tbh.


Critics Groups for Equality in Media Reposted

Iranian widow seeks love and affection in a society that blatantly denies women autonomy, freedom and the simple pleasures of life Gently subversive drama shows at the 28th Tallinn Black Nights Film Festival: dmovies.org/2024/02/16/my-…


Critics Groups for Equality in Media Reposted

Whoo boy. I remember the fall out from when "blond, scraggly faced" Daniel took over from "Perfect Pierce" Brosnan. "Open to a person of color" Bond means, 'We'll audition a few for PR optics, but we already have our next white British born James Bond' to keep the wolves at bay.

James Bond producer Barbara Broccoli has teased who they're looking for in their next James Bond ▪️ Male in their 30s ▪️ Open to a person of color ▪️ Expectation to film up to a decade's worth of films (via: @Independent)

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Ohhh, how I love Best Costume Design at the Oscars. I take a stab at this year's contenders for...@TheContending! thecontending.com/oscars-2025-co…


"Television greatness." Bria McNeal has no notes for Apple TV's Cate Blanchett / Alfonso Cuaron collab 'Disclaimer' as the miniseries concludes. esquire.com/entertainment/… @AppleTV @mcneal_bria / @EsquireUK


Critics Groups for Equality in Media Reposted

Nosferatu displays Robert Eggers visionary creativity. Lily Rose Depp is superb. Willem Dafoe is having a blast. A major below the line player. Could it crack BP? Hmmmm. Rose Depp has a shot in packed supporting actress race. #Oscars 1


Critics Groups for Equality in Media Reposted

Here I am on ANORA, Sean Baker's "politics" and cinephilia, and how his vision of the American dream—its curious mix of fantasy and social realism—clarifies his project. For @thenation thenation.com/article/cultur…

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Critics Groups for Equality in Media Reposted

there's so much to say... but this is my SPICIEST (but not so spicy at all) take: some of last night's "shockers" wouldn't have been as shocking with 1. more latinos in your newsrooms 2. more investment in arts and culture journalism (which includes internet culture coverage)


Critics Groups for Equality in Media Reposted

I am the editor in chief of @slate We are not owned by a billionaire; we rely on our readers and listeners to support our work. Every single subscription counts. Please read/listen & join @slate plus. I ❤️this place and promise our work is worth it, now more than ever.

Slate is here for you... today and for the next four years. Trustworthy, independent journalism is critical to protecting our democracy. Join Slate Plus to support us in covering this moment with clear-eyed, sharp, and passionate reporting and analysis. slate.trib.al/d0C9lH1



Long live Quincy Jones, who broke the black glass in Hollywood, becoming a go-to for movie & TV scores for choice projects starting in the early '60s. One of his most iconic works: The theme to the long-running NBC hit 'Ironside': youtube.com/watch?v=fdXoDw…


Critics Groups for Equality in Media Reposted

A late night viewing recommendation on the eve of Election Day: The Oscar-winning (and Dorian Award-nominated) documentary about Alexey Navalny and his love for democracy (the thought of it anyway): youtube.com/watch?v=81AAlz…


Who would iconic film/TV characters like Marge Simpson, Carrie Bradshaw, Tony Stark, Scarlett O'Hara and Hannibal Lecter want for president? @YouGov's poll of Americans' thoughts is FASCINATING. Exclusive from @NumlockAM / @WaltHickey open.substack.com/pub/numlock/p/…


Critics Groups for Equality in Media Reposted

talked to the legendary PATTI LUPONE, who...doesn't think lilia is actually dead?! she also unpacks why "i loved being a witch" hits so hard, breaks down her surprisingly soft relationship with agatha, and reveals that the witches' road got everyone sick. collider.com/is-lilia-dead-…


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