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@seestage_magThe platform for independent theater criticism in South Eastern Europe. Reviews, essays, interviews and more.
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"Nebojša was one of the finest, most instinctive actors I’ve ever worked with" @amcchisholm looks back on Huddersfield @JDPBgd, and the journey that led to her directing one of the most popular Serbian productions of recent years seestage.org/features/hudde…
The programme for this year's Desiré Central Station will include work by Tomi Janežič, Jernej Lorenci, Kokan Mladenović and festival director Andraš Urban seestage.org/news/selection…
Unstoppable theatre: A look at this year's @FestivalMESS, which included work from Palestine and a new stage adaptation of Lana Bastašić's hit novel Catch the Rabbit. seestage.org/features/64th-…
Make sure you subscribe - it’s free - to @NatashaTripney for a wider view of theatre. Here, the festival in Albania where I led a writers group natashatripney.substack.com/p/opening-up-a…
"A revisionist piece that ignores the historical complexities of Yugoslavia." Review of Redemption, Veljko Mićunović’s strikingly staged but irresponsibly revisionist production based on the novel by Branimir Šćepanović. seestage.org/reviews/redemp…
"The imagery created by Andraš Urban is exceptional." Review of Balkan Beauty, Andraš Urban's vibrant and dynamic production based on the novel by Laslo Vegel at the Serbian National Theatre in Novi Sad. seestage.org/reviews/balkan…
"It's important to talk about artistic responsibility" Dramaturg and author Jasna Jasna Žmak, winner of the Grand Prix at this year's @Biteffestival, on her show This is My Truth, Tell Me Yours and hypocrisy in the arts. seestage.org/interview/jasn…
Risk in theatre is relative. It's important to remember that there are many places where theatre artists risk arrest - or worse. My column in @TheStage
When we talk about risk-taking in UK theatre, we’re typically talking financial or reputational, but for artists in many parts of the world, the reality is much harsher, says @NatashaTripney 👇 thestage.co.uk/opinion/natash…
No stage performance - of any kind - has moved me as much as theatre done by Milo Rau at @NTGent Here again, very much in his element.
Milo Rau caused a stir with his opening speech at this year's @Biteffestival, where his performance of Antigone in the Amazon won the Politika prize. Andrej Canji shares his thoughts on the Swiss director's fusion of classic text and contemporary events. seestage.org/reviews/antigo…
Milo Rau caused a stir with his opening speech at this year's @Biteffestival, where his performance of Antigone in the Amazon won the Politika prize. Andrej Canji shares his thoughts on the Swiss director's fusion of classic text and contemporary events. seestage.org/reviews/antigo…
Days before the exiled Turkish cleric Fethullah Erdogan died in the US, a Kosovo theatre staged a play exploring the fate of six so-called Gulenists who sought safety in Kosovo, only to be handed back to Recep Tayyip Erdogan’s regime. Read more: balkaninsight.com/2024/10/23/def…
Some words on Slovenian director Tomi Janežič's four-and-a-half-hour family saga, 1981, part of an even more dizzyingly ambitious project for next year's European capital of culture. Superb performances, especially from Jasna Đuričić. Review in the usual place.
On at @MladinskoTheatr - Theatre makers Ula Talija Pollak and Bor Ravbar talk about their new show Living Conditions, an exploration of Slovenian housing policy and what it means to have – or to not have – somewhere to call home. @seestage_mag seestage.org/features/livin…
"This play shows the truth of today’s world on stage." Review of Joy, Nejc Gazvoda's resonant exploration of the social impact of the housing crisis in Slovenia, at City Theatre Ljubljana seestage.org/reviews/joy-ra…
"1981 is the most significant theatrical event of the past few seasons in Serbia." Review of 1981, Tomi Janežič's superbly acted and moving family drama at Novi Sad Theatre seestage.org/reviews/1981-t…
A showcase of Kosovo/Albanian theatre will take place in Tirana between 29th October and 2nd November and feature work by Jeton Neziraj and Davide Lodice, among others @qendramm seestage.org/news/kosovo-al…
Carolina Bianchi impactfully fuses performance art and theatre in The Bride and Goodnight Cinderella, the first part of her Cadela Força trilogy about sexual violence @Biteffestival seestage.org/reviews/cadela…
Jeton Neziraj's new play Six Against Turkey, about the rise of authoritarianism and the degradation of democracy, opens tonight in Prishtina. Read more about the production @qendramm that's already proving controversial seestage.org/features/six-a…
Review of the participatory performance We Are Going to Make Something about War, Gender and Liberty, It Will Be Titled: What Would Chelsea Say, a show about information, identity and the US whistleblower seestage.org/reviews/we-are…
Rising star Nina Rajić Kranjac's striking production of Kazimir and Karolina, Ödön von Horváth's play set during the rise of fascism, at City Theatre Ljubljana seestage.org/reviews/kazimi…
"The atmosphere of a thriller." Jan Krmelj directs a slow-placed but provocative production of Rupture, a play that is not what it seems @Biteffestival seestage.org/reviews/ruptur…
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