Natalia Winkelman
@nataliawinkefilm critic for The New York Times, The Boston Globe and others
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As we wrap up 2023, I wrote about the petulant men of this year's movies – and what their meltdowns said about sex and power nytimes.com/2023/12/27/mov…
"Monster is one of the finest films of the year, and its structure — like its circle of characters — carries secrets that can only be unravelled through patience and empathy." @nataliawinke @nytimes Monster (12A) screens @garterlane on Tuesday, Nov 12th, at 7.30pm. #wffa2024
Friday night at #GlobeDocsFF features PORCELAIN WAR and our Centerpiece Film 2073. Tickets are still available for these impactful documentaries, each featuring a live post-screening Q&A with filmmakers moderated by @nataliawinke Join us: trib.al/9uIQsHA
Saw Anora with @nataliawinke and it was so gooood 🥲🥲🥲 want to live inside it forever
this list from A. S. Hamrah's newsletter this week made me genuinely cackle
shoutout to movies with scene[ry]
Marianne Jean-Baptiste in HARD TRUTHS is the most commanding performance I’ve seen in years. She deserves every award there is
I adored The Wild Robot. My latest critic’s pick: nytimes.com/2024/09/26/mov…
My first book of poetry Sun Stains is being published by Finishing Line Press! Pre-order link below for a lower price before launch date Jan 17. A collection from over 10 years of writing, full of love, longing, and a search for meaning. finishinglinepress.com/product/sun-st…
Friends of Metrograph At Home September selects
Friends of Metrograph: Nathan Silver, Rachel Handler (@rachel_handler), and Natalia Winkelman (@nataliawinke) each share a film they love, streaming on demand on the Metrograph At Home platform. 📺 metrograph.com/athomewithsept…
Zia Anger's film My First Film, plays tonight and through the weekend at @RoxyCinemaNYC; I saw the performance, in 2019, with astonished admiration; the film based on it is as unsparingly and ingeniously transformative; short word (for now) (scroll down): link.newyorker.com/view/5bea06832…
That’s me on the left
‘My First Film’ Review: Zia Anger’s Origin Story Establishes Her as an Electrifying New Voice in American Indie Film trib.al/Mg3DCob
my latest critic's pick, for @indiewire, of zia anger's moving and manically honest MY FIRST FILM which announces an electrifying new talent in american indie cinema indiewire.com/criticism/movi…
In episode one of THE HOLLYWOOD HACK, employees at Sony Pictures arrive on the studio lot in late 2014--and find a menacing message on their computers. The company has experienced a massive hack. But who's responsible? And what secrets did they steal? shorturl.at/OCU7Q
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