Alberto Villaescusa Rico
@betovillaescusaComunicólogo y crítico de cine en @pegadoalabutaca, Radio Fórmula BC, @cinemaworldmx, @palomitadmaiz_, @RevistaEstePais, @filmcred y @elvigia.
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Una producción bien que no hace nada interesante con la novela. Aquí mi crítica. Pásenle a leer!
#PedroPáramo se aleja de lo que fue tan atrevido y fresco sobre la novela original, apegándose más al molde de otras adaptaciones prestigiosas de clásicos literarios. Lee la crítica aquí. pegadoalabutaca.com/2024/11/12/ped…
Con lo de Emilia Pérez me acordé de este bit de Seinfeld. youtube.com/watch?v=aMgHWQ…
RIP Free money 😢
Netflix (2018): Thanks to stock value and a head start on streaming, we have more money than anyone to finance the white whale projects of Scorsese and Orson Welles, where box office receipts won't matter, only the art. Netflix (2024): Wanna watch a YouTuber fight an old man?
Part of the stylistic peculiarity of BREATHLESS — its art — is that while you're watching it, it's light and playful, off-the-cuff, even a little silly. It seems accidental that it embodies more of the modern world than other movies. (1961)
En La Rumososa! Ni más ni menos.
📽 James Bond (Timothy Dalton) "levanta" el trailer para cruzar el fuego y arriesga el físico con el camión en movimiento para alcanzar a Franz Sánchez (Robert Davi). *Licencia para matar (1989), de John Glen
Se ve muy chido esto! 👇
Queridx film tuiter, finalmente impartiré este curso para aprender a abordar los VFX de sus proyectos. Los efectos visuales siguen siendo percibidos como inaccesibles en parte por estar aislados de otros departamentos. Acerquémonos entonces. :) Informes en xa.mendezv@gmail.com💚
adding fuel to the fire, here’s an interview for Jacques Audiard, director of EMILIA PÉREZ INTERVIEWER: How much did you have to study Mexico to be able to make this film? AUDIARD: No, I didn’t study much. I kinda already knew what I had to understand Make of that want you will
yo opino que la gente que no vive en este país donde el cinco letras está m4tando gente todos los días, debería cerrar el perro hocico
i think cis people should take a backseat to the conversation on emilia pérez!
Diego Luna mamadísimo por cargar Star Wars en su espalda
"carries a strong anti-european sentiment"
the discourse about emilia perez being “racist” is heavily racialised in itself and carries a strong anti-european sentiment. the critique fixates on audiard’s nationality and invalidates the relevance of european voices on the global arena. this is even more peculiar…
Así estamos
the discourse about emilia perez being “racist” is heavily racialised in itself and carries a strong anti-european sentiment. the critique fixates on audiard’s nationality and invalidates the relevance of european voices on the global arena. this is even more peculiar…
Emilia Perez is actually Spanish for “Emily in Paris”
Chicuarotes (Gael Garcia, 2019)
El unico crimen de Rian Johnson fue querer que la franquicia mirara hacia adelante pero el mundo no estaba listo para eso
A source familiar with the Star Wars movie/TV development process has said “Star Wars is a nostalgia-based enterprise and they are running out of ways to create nostalgia” (Source: hollywoodreporter.com/movies/movie-n…)
Ayo Edebiri encourages people stop using AI for trivial purposes in new post: “pls stop using Al to see what you'd look like as a sexy sims character or whatever you can commission some talented and horny freak to do it for like $6… this s**t is cooking the planet!!!! and our…
When gringos send their people they're not sending their best...
Su carrera de verdad anda por los suelos, si vino a México a querer llamar la atención. Igual que Drake Bell
date idea: nos tumbamos en el sofá cada uno con su libro y cuando subrayemos algo nos lo leemos en voz alta
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