Peter Thomas
@_pjthoDirector @RMIT FORWARD | Creative Director @medicineunboxed | visiting prof @BeijingNormalU | @CDInstitute | @QVSystems #futureofwork
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We’ve started to write stories about FORWARD, the @RMIT Centre for Future Skills and Workforce Transformation. Join us on @Medium for stories on #creativity #skills #DigitalTransformation #Reconciliation #futureofwork medium.com/rmit-forward/f…
How much of your workday is taken up with tasks like the following: filling in a lengthy online form, which crashes just as the finish line draws near; spending hours trying to cancel an online subscription; coming face-to-face with the dreaded “Schrödinger’s account”: you try to…
You’ve stopped being here in the world. / You’re in a different place, / place where human life has no meaning. / You’re not a creature in a body. / You exist as the stars exist, / participating in their stillness, their immensity. ~ Telescope, #LouiseGluck #poetry
I haven’t posted any of Peter Mitchell’s brilliant images for a while, so here we go! Peter worked as a lorry driver in Leeds in the 1970s, photographing the city during his rounds. Beautiful and evocative work that is a moving reminder of community.
Happy Birthday to polymath, May Morris: designer of wallpaper, jewellery, textiles, stained glass and many other arts and crafts. She was also an embroiderer, author, editor, lecturer, artist, feminist, socialist and business woman. #OTD #MayMorris
HAMM: It’s we are obliged to each other. One thing more, A last favour. Cover me with the sheet. [Long pause.] No? Good. [Pause.] Me to play. [Pause. Wearily.] Old endgame lost of old, play and lose and have done with losing. ~ Endgame, Samuel Beckett
“Perhaps my best years are gone. When there was a chance of happiness. But I wouldn’t want them back. Not with the fire in me now. No, I wouldn’t want them back.” [KRAPP motionless staring before him. The tape runs on in silence.] ~ Krapp’s Last Tape, Samuel Beckett
Adrian Frutiger, symbol for private aviation company Euralair, France, 1972. As seen in Graphis Annual 72/73, The Graphis Press, Zurich, 1973.
Joel Meyerowitz, New York City, Times Square, 1963
George can feel nothing of that long-ago excitement and awe; something is wrong, from the start. The steep winding road, which used to seem romantic, is merely awkward, now, and dangerous.~ A Single Man, Christopher Isherwood.
Knowing What To Ignore William James | Driverless Truck Deliveries | The Fallacy And Failure Of Leadership | Disengaged? Start With A Plan B. workfutures.io/p/knowing-what…
Two floors above, / pouring through the sticks its rooms / of loose and yellow, flake and seethe; / and it’s lonely in the mind / where the objects of love are likewise / whooshed through by the light-stripping / days. ~ The Whoosh/Material Properties, Jacob Polley #poetry
And here they come, as many mouths / as there are hooks to hook them by. /How much of agony is thought? / How much of letting go, desire? ~ Catch/Material Properties, Jacob Polley #poetry
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