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Huge proud one @annaclock EP release 🌊 have a listen
London-based Irish artist @annaclock presents their second music release. Cello, vocals, intimate domestic scenes. Waves drag over rocks & leaves wilt in the rain amid an assured quietude, with moments of fury & ecstasy. Artwork: Harriet Hatwell fortevilfruit.bandcamp.com/album/umbra
hello! our producer is looking for some storage space for a separate project; ideally ground floor and at least 5x1.2m - need it sorted in the next few weeks and can do transport ourselves! any leads greatly appreciated x
@TarekIskander1 such an honest, thorough and unsentimental analysis. No solutions offered, but knowing the depth and breadth of the problem(s) and speaking them out loud is a very useful service for those who will eventually pick up the pieces and build anew.
Oh no Kenneth you've got me started! Every case is different, & let's be clear these jobs are generally well paid & a huge privilege, but fwiw here's my take on the post-covid challenges that are making the roles feel more difficult than ever (all of which relate to resources)🧵
New piece up for 👂🏻 - Hi, Cupid - a string quartet composed for Jason Medea Medley by @JazWoodStew & company at @schauspielDD So brilliant to get to work with live musicians on this beautiful show & be reminded what is possible with time, space & trust. on.soundcloud.com/UcRqB
proud of @EveAllin doing some Good Shit over @broccoli_arts HQ check out their website and associate artists
we've got a new website ! it makes us feel fancy & official, but more importantly, it showcases our incredible associate artists: @eleanortindall_ @eevlee @SophiaLeuner @rhianna_ilube @FlippingTheatre @charlvickers broccoliarts.uk
Are you touring, or do you know anyone touring brilliant studio scale 7/8+age work in 2024? I’m open ears! Helenm@polkatheatre.com
I wrote a piece for The Echo on being an anti-professional artist - about my efforts / ideas on trying to make art under neoliberalism. Difficult thoughts it felt good to put somewhere. Read it here, alongside great pieces by @julierosebower, @aliceboydmusic @MelanieWilson14 &&
The eighteenth edition of The Echo is now available! Featuring some of the industries most interesting sound artists, it's available to download here: buff.ly/3U1vbM2
Late Olivier Awards post🕴🏻 Lovely VERY SURREAL day Gigantic thanks to the whole Paradise Now! and @bushtheatre team 💚 what an honour to be nominated alongside peers I’ve come up in this industry with, + deserving winner ✨P word @Waleedakhtar @SimpsonPike ✨
A good thread with some good maths behind it- and to be clear this is happening to a lesser or (often) greater degree across the industry, in all fields. Pay (and, related, time) is the key battleground for UK theatre
Rebecca Frecknall's interview in @TheStage has prompted me to break out a thread I have sat on for a while. It breaks down what I think is the biggest obstacle in theatre but the least openly discussed... Pay So here is the THEATRE PAY MATHS THREAD 🧵👇 thestage.co.uk/news/rebecca-f…
Rebecca Frecknall's interview in @TheStage has prompted me to break out a thread I have sat on for a while. It breaks down what I think is the biggest obstacle in theatre but the least openly discussed... Pay So here is the THEATRE PAY MATHS THREAD 🧵👇 thestage.co.uk/news/rebecca-f…
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Nina Segal
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Breach
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@RAWeiseArtist -
The Yard Theatre
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Chris Sonnex
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jaz woodcock-stewart company
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RashDash
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Barrel Organ
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