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@ArtReview_

The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://t.co/1gVy0yeQQ6 Shop: https://t.co/sBpHOM3k1a

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Introducing the ArtReview November 2024 issue, out now. Featuring champion of ‘institutional critique’ Hans Haacke interviewed by Liam Gillick, Álvaro Urbano, Harminder Judge, the ‘review’ under scrutiny as four critics expand the format, and much more artreview.com/artreview-nove…


How the intimate experience of mothering has been co-opted as a political tool for power artreview.com/when-motherhoo…


Amy Sall’s sensitive scholarship offers a refreshing counterpoint to the extractive violence often felt in previous attempts to visually record the African continent artreview.com/the-african-ga…


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Kamal Aljafari's UNDR streams for free until December 9 as part of @ArtReview_'s Art Lovers Movie Club. artreview.com/art-lovers-mov…


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Lots to enjoy here from @Francespalding on Frank Auerbach: artreview.com/how-frank-auer…

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If you want more: bsky.app/profile/artrev…

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It’s time for largescale exhibitions to address the realities of general audiences, rather than catering to the interests of the curatorial class artreview.com/art-against-po…


Between figuration and expressionism, Sylvia Snowden’s paintings lead us on a road to nowhere artreview.com/sylvia-snowden…


The Indonesian artist Riar Rizaldi’s latest videos combine quantum physics and mysticism, opening new portals through which to explore capitalist systems of extraction artreview.com/riar-rizaldis-…


Introducing the ArtReview Asia Winter 2024 issue, out now. Featuring Riar Rizaldi on the cover, Saule Suleimenova, Mark Bradford; an artist project by Sim Raejung; reports on Myanmar artists and Hong Kong’s art scene; plus reviews and more: artreview.com/artreview-asia…


From 2015: How Frank Auerbach’s paintings wrestle with the disjunction between reality and representation artreview.com/frank-auerbach…


A troublingly tranquil turn in a spate of recent shows favours comfort over confrontation artreview.com/notes-from-new…


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Employing archival footage, Kamal Aljafari’s film – available to stream for free – constructs an eerie narrative of calculated incursion, serving as an unsettling reminder that Palestine remains a land subjected to aerial surveillance artreview.com/art-lovers-mov…


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