Kristovibez
@kristovibezKristovibez movement It's a way of life. Live it Pop & Religious vibes
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I am honoured to be featured alongside my family, @AsafoBlack as Makers and Keepers in this inspiring magazine, the 11th edition of SOMETHING WE AFRICANS GOT. Thankyou for making us a part of the contemporary art growth and history. We are honoured. x
Today we celebrate a visionary @ibrahim_mahama on winning the prince claus award yesterday. Well done keep inspiring the next generation.
Dear Mama, 2020 Charcoal and pigments(food ingredients) on paper. Size: 76.2 x 101.6cm Finally I can free say it out loud... #art #painting #drawing #figurative #contemporary #conceptualized #mama #dearmama
Mensei Da Video premiering on Trace Jama tomorrow 🎥
I keep killing the production, u not ready for what’s coming 🌊
Today’s progress shots of @nunadoe new work . All I can say is the team is on fire with new material stay tuned for updates on his new work . Follow his Instagram account ‘nunadoe’ for more.
Anifa!!!!! Her mind!
When Was Zimbabwe Ever Great (Great Zimbabwe)? An Installation by Ronald Machatuta at The Stellenbosch Triennale that critiques the inception and current affairs of Zimbabwe. #1980SoFarSoGood #ZimbabweAt40
SOUND ON! We're bringing the #StellenboschTriennale straight to your homes through our new series #STtalks in collaboration with our artists. Artist - @victorsozaboy Artwork - Saints and Sanctum Look out for more #STtalks or visit stellenboschtriennalee.com🖼💬
🤔karate in suits mmmmm not bad. Just watch me for karate into fashion #Accra #ghana #karate @majorskyscrapa u do all
@LarryBonchaka’s work making it to the front page of the frankfurter newspaper 🇩🇪 . 🔥🔥🔥
@money_geta jeffrey presents knockoff jewelry sources from various merchants in the city. The chains, some of which have religious iconography like the “Jesus piece” heightens Jeffrey’s interest and quest to investigate the idea of luxury and religious objects and relics.
@scrapa2020 Scrapa explores the medium of graffiti as a form of social commentary while embracing its guerilla and rebellious nature. He describes the nib as an important component of graffiti can without which the can is rendered useless more or less
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